Unsuspecting travelers face an obstacle course of scams, cons, and rip-offs. Opportunistic thieves lie in wait. Strategists create their own opportunities. Devilish scams are designed to divert your attention, even against your will. In the places people love to visit most, pickpocketing, con games, credit card scams, and identity theft have increased dramatically. Thiefhunters offers a backdoor-perspective on the techniques of the most underhanded scoundrels. -- from Thiefhunters in Paradise.
More: Theft Thwarter Tips
Good Eatin': Tango Restaurant & Lounge
You have to be pretty far off the beaten path these days not to have access to gourmet dining. Not that regional and ethnic food doesn't keep us well fed and happy, but it is reassuring to know that there is no longer a corner of the Union that doesn't have at least one place offering high quality cuisine and a decent wine list.
In Escondido, CA that place is Tango, a full service eatery, lounge and wine bar. Nationally acclaimed chef Rico Bartolome offers a constantly changing array of fusion dishes, on my last visit including tempura oysters (on arugula with a remoulade), a duck comfit (rhubarb jam, strawberries, goat cheese and candied pecans), and an amazing korean hot pot (miso-marinated sea bass, shrimp, kimchee, bok choy and assorted mushrooms in dashi). Applying classic European kitchen techniques to Pacific Rim-influenced dishes made of fresh seasonal ingredients results in offbeat creations from chorizo-wrapped loin of venison with chimichanga and mole through osso bucco with panang curry to pistachio duck schnitzel with sweet and sour cabbage. The wine list is always well-selected. Desserts change daily (think sugar pumpkin and mascarpone cheesecake with spiced whipped cream or crêpe stuffed with chocolate, banana fritter and banana ice cream), and last visit fresh pies to go were by the cashier. Lunch Monday to Friday and dinner every day. Monday to Thursday, $25 sunset prix fixe dinners are available. Happy hour 4-7 every day but Monday, when it's 4 to closing. Half price wine on Wednesdays. Events nightly in the lounge. There's a private dining room for parties of 10-30, and you can dine on the patio weather permitting. Despite the sometimes brutal desert heat, this is one place worthy of abandoning the comforts of the coast. Tango is at 417 W Grand Ave in Escondido; 760-747-5000; http://www.tangoongrand.com/.
In Escondido, CA that place is Tango, a full service eatery, lounge and wine bar. Nationally acclaimed chef Rico Bartolome offers a constantly changing array of fusion dishes, on my last visit including tempura oysters (on arugula with a remoulade), a duck comfit (rhubarb jam, strawberries, goat cheese and candied pecans), and an amazing korean hot pot (miso-marinated sea bass, shrimp, kimchee, bok choy and assorted mushrooms in dashi). Applying classic European kitchen techniques to Pacific Rim-influenced dishes made of fresh seasonal ingredients results in offbeat creations from chorizo-wrapped loin of venison with chimichanga and mole through osso bucco with panang curry to pistachio duck schnitzel with sweet and sour cabbage. The wine list is always well-selected. Desserts change daily (think sugar pumpkin and mascarpone cheesecake with spiced whipped cream or crêpe stuffed with chocolate, banana fritter and banana ice cream), and last visit fresh pies to go were by the cashier. Lunch Monday to Friday and dinner every day. Monday to Thursday, $25 sunset prix fixe dinners are available. Happy hour 4-7 every day but Monday, when it's 4 to closing. Half price wine on Wednesdays. Events nightly in the lounge. There's a private dining room for parties of 10-30, and you can dine on the patio weather permitting. Despite the sometimes brutal desert heat, this is one place worthy of abandoning the comforts of the coast. Tango is at 417 W Grand Ave in Escondido; 760-747-5000; http://www.tangoongrand.com/.
Labels:
asian fusion,
Escondido CA,
good eating,
nightlife
Good Eatin': Hot N Juicy Crawfish
Some of Las Vegas' best dining establishments are hidden from visitors in strip malls, on side streets and in neighborhood centers. On an extremely hot summer afternoon a couple of years ago I found one that has become among my favorite Vegas eateries. Moments after I thought, I need for some protein, I spotted, stretched across the facade of a nondescript cinder block building on a low-end commercial block on Spring Mountain Road, a hand-made banner announcing "Hot and Juicy Crawfish." It goes without saying that spicy food and hot weather go hand and hand, and in the high desert heat ice cold beer sounded good.
Inside the modest building, aside perhaps for the fact that the staff appeared to have blown in from Vietnam rather than Arcadie, you'd have been forgiven for thinking you'd crossed from Nevada into Louisiana. Every table in the small establishment was stripped bare except for a heavy plastic sheet cover, lobster bibs, and a role of paper towels. The crawdads -- your choice: hot, hotter and scorching -- delivered by the pound in steaming plastic bags -- no utensils: this is not a place where you eat without getting your hands dirty -- were perfect, at least in the garlic and cajun versions with the spice level dialed up to volcanic. Order two pounds or more, and corn on the cob and potatoes are tossed in the bag with the creatures. I don't want to think about the impact of all the plastic on the environment, but from an operational standpoint this restaurant is a model of efficiency: at the end of the meal, the staff balls up the plastic table cloth -- shells, paper towels, styrofoam cups, et al, and carts it off. Talk about no fuss, no muss.
"Hot n Juicy Crawfish" -- that's it's name as well as it's game -- had only been open a couple of weeks and its menu was limited, if that's the proper word, to crawfish. Since then, besides adding some equally fine steamed shrimp, the menu has expanded unnecessarily to include crab, catfish, calamari, chicken wings and raw oysters, as well an étouffé that is unexpectedly tasty this far from a bayou. The seasonings are described as Louisiana Style, Juicy Cajun, Garlic Butter, Lemon Pepper, and Hot N Juicy Special, and the spice level now runs from mild through medium and spicy to extra spicy (you will be flagged off extra spicy because of the danger of third degree burns; pay the warnings no heed: have another beer and dig in). Hot n Juicy Crawfish, 4810 Spring Mountain Rd, Las Vegas, NV; 702-891-8889.
Tip: Although Las Vegas has a bus system and lots of cabs, the only way to really explore the town is by car. If you didn't drive in, don't forget that the best budget car rental companies, Advantage and Fox, both have shops at McCarren Airport; in general, McCarren is probably the easiest airport in the country to rent a car.
By the way, a hot new documentary on chile peppers, written, co-produced, and hosted by the Pope of Peppers, Dave DeWitt, and shot on location in Mexico, Guatemala, The Bahamas, Jamaica, Louisiana, Texas, New Mexico, and Florida, perfectly presents people's powerful passion for peppers.
Heat up Your Life - Peppers and People (YouTube)
Inside the modest building, aside perhaps for the fact that the staff appeared to have blown in from Vietnam rather than Arcadie, you'd have been forgiven for thinking you'd crossed from Nevada into Louisiana. Every table in the small establishment was stripped bare except for a heavy plastic sheet cover, lobster bibs, and a role of paper towels. The crawdads -- your choice: hot, hotter and scorching -- delivered by the pound in steaming plastic bags -- no utensils: this is not a place where you eat without getting your hands dirty -- were perfect, at least in the garlic and cajun versions with the spice level dialed up to volcanic. Order two pounds or more, and corn on the cob and potatoes are tossed in the bag with the creatures. I don't want to think about the impact of all the plastic on the environment, but from an operational standpoint this restaurant is a model of efficiency: at the end of the meal, the staff balls up the plastic table cloth -- shells, paper towels, styrofoam cups, et al, and carts it off. Talk about no fuss, no muss.
"Hot n Juicy Crawfish" -- that's it's name as well as it's game -- had only been open a couple of weeks and its menu was limited, if that's the proper word, to crawfish. Since then, besides adding some equally fine steamed shrimp, the menu has expanded unnecessarily to include crab, catfish, calamari, chicken wings and raw oysters, as well an étouffé that is unexpectedly tasty this far from a bayou. The seasonings are described as Louisiana Style, Juicy Cajun, Garlic Butter, Lemon Pepper, and Hot N Juicy Special, and the spice level now runs from mild through medium and spicy to extra spicy (you will be flagged off extra spicy because of the danger of third degree burns; pay the warnings no heed: have another beer and dig in). Hot n Juicy Crawfish, 4810 Spring Mountain Rd, Las Vegas, NV; 702-891-8889.
Tip: Although Las Vegas has a bus system and lots of cabs, the only way to really explore the town is by car. If you didn't drive in, don't forget that the best budget car rental companies, Advantage and Fox, both have shops at McCarren Airport; in general, McCarren is probably the easiest airport in the country to rent a car.
By the way, a hot new documentary on chile peppers, written, co-produced, and hosted by the Pope of Peppers, Dave DeWitt, and shot on location in Mexico, Guatemala, The Bahamas, Jamaica, Louisiana, Texas, New Mexico, and Florida, perfectly presents people's powerful passion for peppers.
Heat up Your Life - Peppers and People (YouTube)
Good Eatin': La Cachette Bistro, Santa Monica
When I first came to Los Angeles, there were maybe six gourmet restaurants in the entire town. Now there are more than that just on Ocean Avenue, and they're about to joined by another. Jean-Francois Meteigner of La Cachette in Century City will start serving patrons at La Cachette Bistro on Saturday in preparation for a full-blown opening in a couple weeks. La Cachette Bistro, 1733 Ocean Ave (between Pico Blvd and the Santa Monica Pier), Santa Monica; 310-434-9509.
Labels:
french cooking',
good eating,
Los Angeles,
Santa Monica
Easing the burdens of summer
The pages of The New Yorker should change color when they're read. Sky blue would be nice. That way, when it's time to head for the summer house, it won't be necessary to schlep the whole pile, just those with pages that are still mostly white.
Labels:
summer reading,
The New Yorker
Destinations: Bohemian Las Vegas
The best way to experience Las Vegas is to get off the Strip. The unusual makeup of the town's populace -- heavy on entertainment workers and retirees wealthy enough to move there from somewhere else -- spawns local restaurant, nightlife and arts scenes that exceed those in most other burgs its size.
For example, a recent round of gallery hopping during one of Vegas' monthly First Friday street fairs was eye-opening. The Las Vegas arts district is housed in a few blocks of industrial spaces and ratty storefronts set just the beyond the north end of the Strip, within walking distance -- if you like a good walk -- of the Stratosphere and old downtown. With the streets closed to traffic for the evening, a First Friday stroll amid food carts, street vendors and live bands would be fun even if the art was ordinary.
It's not. Recent visitors -- regulars at Thursday nights in Manhattan's Chelsea gallery district, Chicago's art Fridays and Los Angeles' scattered weekend openings -- were impressed by the vibrancy of Vegas' compact arts community. There may not be as much work on display in Vegas, but what's there is universally competent and intermittently thrilling. Vegas are holds its own against its bigger rivals.
Between the lively street scene and the usually perfect weather, you may not be inclined to go indoors, but there are a several display spaces that are not-to-miss. The Arts Factory (101-109 E Charleston Blvd) houses a dozen or so galleries and studios, including the Contemporary Arts Center, an established non-profits artists' collective, and the soon-to-open Paymon's Mediterranean Cafe & Lounge. Other essential stops includes the artists' lofts in the former Holsum Bread Factory and Commerce Street Studios (corner of Utah and Commerce) and Naomi Arin Contemporary Art (formerly Dust Gallery; 900 S Las Vegas Blvd - Suite 120B; by appointment: 702.324.5868).
Like any city in the southwest, good eating in Vegas is spread all over town. Fortunately for First Friday-goers, one of the local Vegas eateries worth a visit is in the arts district: Tinoco's Bistro (103 E Charleston Blvd; 702-464-5008), in the arts factory building itself, is a friendly Italian place, with low ceilings, tables shaped like artists' palettes, and lots of art on the walls. In a town where millions of dollars are spent creating ambience, Tinoco's stands out for its feeling of authenticity. By the comparison to the Strip, the prices are low, low and low for both lunch and dinner, and the food's terrific.
Most of the other eateries in the area are Latin-flavored. At Casa Don Juan (1204 S Main Street; 702-384-8070) an authentic enchilada platter will cost you less than a movie ticket and huge overstuffed tacos packed with carne asada and guacamole can be had for the price of a bag of theater popcorn (their claim to the title "Best Margarita in Las Vegas" would be hard to challenge). As you travel back toward the Strip on South Las Vegas Blvd, you'll come upon a Howard Johnson's that holds a surprise: the Florida Cafe Cuban Bar & Grill (1401 S Las Vegas Blvd; 702-385-3013 ) attracts a mostly Spanish-speaking crowd for downhome Cuban specialties like ropa vieja and classic Cubano sandwiches (one of the steaming, cheesy foot-long creations could feed a small village in the Sierra Maestra).
Other art district hangs: the pricier, more Vegas-ie Ice House Lounge (650 S Main Street; 702-315-2570) is a good place to hear live local music; on the other hand, so is Dino's (1516 S Las Vegas Blvd; 702-382-3894), calling itself "the last neighborhood bar in Las Vegas," the sort of dive where you might expect to find a (pretty good) polish sausage to go with your karaoke.
Like countless Bohemian communities before it, the Vegas art district is a fragile thing. Great galleries and clubs have already come and gone and experience shows developers love art scenes to death. Now is probably the time to visit, before it goes the way of the Soho, Wicker Park, Venice Beach and countless other artists' havens that have been abandoned to the bourgeoisie. It won't be as much fun after the artists are forced to move to the corner of Nellis and Lake Mead (or wherever) to find affordable space.
For example, a recent round of gallery hopping during one of Vegas' monthly First Friday street fairs was eye-opening. The Las Vegas arts district is housed in a few blocks of industrial spaces and ratty storefronts set just the beyond the north end of the Strip, within walking distance -- if you like a good walk -- of the Stratosphere and old downtown. With the streets closed to traffic for the evening, a First Friday stroll amid food carts, street vendors and live bands would be fun even if the art was ordinary.
It's not. Recent visitors -- regulars at Thursday nights in Manhattan's Chelsea gallery district, Chicago's art Fridays and Los Angeles' scattered weekend openings -- were impressed by the vibrancy of Vegas' compact arts community. There may not be as much work on display in Vegas, but what's there is universally competent and intermittently thrilling. Vegas are holds its own against its bigger rivals.
Between the lively street scene and the usually perfect weather, you may not be inclined to go indoors, but there are a several display spaces that are not-to-miss. The Arts Factory (101-109 E Charleston Blvd) houses a dozen or so galleries and studios, including the Contemporary Arts Center, an established non-profits artists' collective, and the soon-to-open Paymon's Mediterranean Cafe & Lounge. Other essential stops includes the artists' lofts in the former Holsum Bread Factory and Commerce Street Studios (corner of Utah and Commerce) and Naomi Arin Contemporary Art (formerly Dust Gallery; 900 S Las Vegas Blvd - Suite 120B; by appointment: 702.324.5868).
Like any city in the southwest, good eating in Vegas is spread all over town. Fortunately for First Friday-goers, one of the local Vegas eateries worth a visit is in the arts district: Tinoco's Bistro (103 E Charleston Blvd; 702-464-5008), in the arts factory building itself, is a friendly Italian place, with low ceilings, tables shaped like artists' palettes, and lots of art on the walls. In a town where millions of dollars are spent creating ambience, Tinoco's stands out for its feeling of authenticity. By the comparison to the Strip, the prices are low, low and low for both lunch and dinner, and the food's terrific.
Most of the other eateries in the area are Latin-flavored. At Casa Don Juan (1204 S Main Street; 702-384-8070) an authentic enchilada platter will cost you less than a movie ticket and huge overstuffed tacos packed with carne asada and guacamole can be had for the price of a bag of theater popcorn (their claim to the title "Best Margarita in Las Vegas" would be hard to challenge). As you travel back toward the Strip on South Las Vegas Blvd, you'll come upon a Howard Johnson's that holds a surprise: the Florida Cafe Cuban Bar & Grill (1401 S Las Vegas Blvd; 702-385-3013 ) attracts a mostly Spanish-speaking crowd for downhome Cuban specialties like ropa vieja and classic Cubano sandwiches (one of the steaming, cheesy foot-long creations could feed a small village in the Sierra Maestra).
Other art district hangs: the pricier, more Vegas-ie Ice House Lounge (650 S Main Street; 702-315-2570) is a good place to hear live local music; on the other hand, so is Dino's (1516 S Las Vegas Blvd; 702-382-3894), calling itself "the last neighborhood bar in Las Vegas," the sort of dive where you might expect to find a (pretty good) polish sausage to go with your karaoke.
Like countless Bohemian communities before it, the Vegas art district is a fragile thing. Great galleries and clubs have already come and gone and experience shows developers love art scenes to death. Now is probably the time to visit, before it goes the way of the Soho, Wicker Park, Venice Beach and countless other artists' havens that have been abandoned to the bourgeoisie. It won't be as much fun after the artists are forced to move to the corner of Nellis and Lake Mead (or wherever) to find affordable space.
Labels:
destinations,
fine art,
galleries,
good eating,
Las Vegas
Roadside Assistance: Call them Starbooks
If you happen to be passing through Concord, New Hampshire, you can drop off books you're finished with and pick up something new to read at the local Starbucks.
A good idea you usually see only in independent coffee houses. Hope it's picked up by every Starbucks (and Peet's and Coffee Bean) in the universe. Starbucks, 242 Louden Road, Concord, NH; 603-223-2395.
A good idea you usually see only in independent coffee houses. Hope it's picked up by every Starbucks (and Peet's and Coffee Bean) in the universe. Starbucks, 242 Louden Road, Concord, NH; 603-223-2395.
Labels:
coffee,
concord nh,
roadside assistance
Staying Connected: i in the sky
My first few trips on Virgin America -- Los Angeles to New York, the Bay Area, and Boston -- gave me hope that domestic air travel might become more consumer-friendly. Virgin America's prices, the convenient facilities, the online amenities...many of them only promises at that stage, but still, things as simple as being able to order something beyond Cheez-Its and to plug a laptop into an electrical outlet far exceed the usual Greyhound Bus-style services offered by most American carriers. The passenger experience on Virgin America is more like what you are likely to enjoy on a Scandinavian or Asian airline than on Delta or United. Wouldn't Virgin America's reasonable pricing and quality service force other companies to improve their operations, at least on the routes they have in common, if only to remain competitive?
Since May, however, much has changed. Now when you book on VA, you have to keep in mind that, depending on the ticket you select, you may be hit with a $15 per item charge for every piece of luggage you check in. If you're traveling light, this is no great hardship; as long as you don't forget to follow the TSA rules about toothpaste and pocket knives, you can still store one carry-on bag in the overhead compartment for free. If you have luggage to check, however, the fees can add up. When comparing your $99 fare on Virgin with a similarly priced ticket on, say, Southwest, you may find that you are paying more than you intended to enjoy Virgin's mood lighting.
Similarly, Virgin's much-ballyhooed wireless access (also available on American, Delta, United, and Air Canada) is less than promised. For one thing, what they don't tell you until you're on board is that it's pricey -- $12.95 for coast-to-coast flights; $9.95 for trips under three hours. Like most high-priced hotels and some airports, Virgin America hasn't realized that clients get irritated when overcharged for an essential service. Also, at least on the Los Angeles-Boston flight that I'm currently on, the wireless doesn't work. Although the instructions call for you to "Click Buy to get started," there is no "Buy" to click (the best site navigation moment comes on a page that says only "purchase a Gogo Pass" and "The page you attempted to view cannot be accessed until you purchase service"). According to the cockpit, the problem isn't with equipment on the aircraft, but is a "system wide" outage by the provider, Airtel's Gogo Inflight Internet. Oh, well. Email will just have to wait until I'm back on the ground in Beantown.
One other thing. When I attempted to listen on the plane's "interactive environment" to Cassandra Wilson's superb new album, Loverly, it sounded like someone was in the studio with her crumpling paper sacks in front of the microphone. The next cut I tried, from Diana Krall's Look of Love collection, worked better, although the sound quality on VA's branded earphones was that of an AM portable radio circa 1958. After I switched to my laptop's Phillips earbuds everything was rosy, though, even Cassandra Wilson (and it was a pleasure to discover tracks by Sun Ra amid the more lcd offerings in the jazz section). I know you get what you pay for, but why bother to install "3000 mp3s" and then provide crappy headset to listen with? Bottom line: if you're flying Virgin America, skip the $2 earpieces and pack your own listening devices.
Still, in VA's defense, it has to be said that the few inches of extra space throughout the cabin make a huge difference: a little more leg room, less banging into people and hardware when walking the aisle, room to turn around in the lav. And there's no denying that hummus, baba ganoush and veggies are a vast improvement on pretzels and dry-roasted peanuts.
Since May, however, much has changed. Now when you book on VA, you have to keep in mind that, depending on the ticket you select, you may be hit with a $15 per item charge for every piece of luggage you check in. If you're traveling light, this is no great hardship; as long as you don't forget to follow the TSA rules about toothpaste and pocket knives, you can still store one carry-on bag in the overhead compartment for free. If you have luggage to check, however, the fees can add up. When comparing your $99 fare on Virgin with a similarly priced ticket on, say, Southwest, you may find that you are paying more than you intended to enjoy Virgin's mood lighting.
Similarly, Virgin's much-ballyhooed wireless access (also available on American, Delta, United, and Air Canada) is less than promised. For one thing, what they don't tell you until you're on board is that it's pricey -- $12.95 for coast-to-coast flights; $9.95 for trips under three hours. Like most high-priced hotels and some airports, Virgin America hasn't realized that clients get irritated when overcharged for an essential service. Also, at least on the Los Angeles-Boston flight that I'm currently on, the wireless doesn't work. Although the instructions call for you to "Click Buy to get started," there is no "Buy" to click (the best site navigation moment comes on a page that says only "purchase a Gogo Pass" and "The page you attempted to view cannot be accessed until you purchase service"). According to the cockpit, the problem isn't with equipment on the aircraft, but is a "system wide" outage by the provider, Airtel's Gogo Inflight Internet. Oh, well. Email will just have to wait until I'm back on the ground in Beantown.
One other thing. When I attempted to listen on the plane's "interactive environment" to Cassandra Wilson's superb new album, Loverly, it sounded like someone was in the studio with her crumpling paper sacks in front of the microphone. The next cut I tried, from Diana Krall's Look of Love collection, worked better, although the sound quality on VA's branded earphones was that of an AM portable radio circa 1958. After I switched to my laptop's Phillips earbuds everything was rosy, though, even Cassandra Wilson (and it was a pleasure to discover tracks by Sun Ra amid the more lcd offerings in the jazz section). I know you get what you pay for, but why bother to install "3000 mp3s" and then provide crappy headset to listen with? Bottom line: if you're flying Virgin America, skip the $2 earpieces and pack your own listening devices.
Still, in VA's defense, it has to be said that the few inches of extra space throughout the cabin make a huge difference: a little more leg room, less banging into people and hardware when walking the aisle, room to turn around in the lav. And there's no denying that hummus, baba ganoush and veggies are a vast improvement on pretzels and dry-roasted peanuts.
Labels:
connectivity,
internet,
wireless
Brews: Stones at the Beach
From the monthly newsletter of Library Alehouse on Main Street in Santa Monica:
‘In the ever continuing quest by Stone Brewing to appeal to the masses….’ No, scratch that. Hmm, let’s try ‘Stone Brewing's new release destined for trendy appeal….’ Nope. Hardly. OK, how about ‘New brew from Stone Brewing likely to be a hit amongst light beer fans….’ Ouch. Way off base. Nowhere even close.
The real lead-in line should of course read ‘Stone Brewing, experts in pushing the limits of the IPA style, brews up another winner.’ And a winner it is. Patterned after the famous Stone Anniversary IPAs, this new brew is born. Weighing in at massive 100+ IBUs (International Bitterness Units) and 7.7% alc/vol, this baby is a screamer!
”And the name? Stone Ruination IPA. So named, the bottle's label states, ‘because of the immediate ruinous effect on your palate….’ “
The nattering above conveys a taste of the potions (and the marketing) cooked up by Stone Brewing of San Marcos. Ruination was the first new year-round release from the brewer after the introduction of its infamous Arrogant Bastard Ale more than four and a half years before. Stone employs an extreme brewing style that uses natural ingredients – barley, hops, water and yeast – to produce quaffs of strong and distinctive character. Initially, Library Alehouse was attracted by the brewer’s promise of “No Additives, No Chemical Preservatives, No Pasteurization No Adjuncts,” but it is the phenomenal taste that makes us proud to include both beverages in our menu of stellar beers and ales.
Not a drink for the faint of palate, Arrogant Bastard won’t be a regular or casual choice even among those for whom the hop flower is mother’s milk. This ale pours with a dark caramel color, an unpresumptuous orange-brown head and modest levels of carbonation. The nose is sugary, with a scent of molasses laced with slightly floral and woody notes that causes the sharp aftertaste to come with an element of surprise. The finish is extended, with a sustained bitter attack that prolongs the experience.
Ruination is intense India Pale informed by an imposing amount of hop bitterness stemming from the application of huge amounts of hops to the brewing and two weeks of dry hopping to the aftermath (dry hopping is a flavor-intensifying technique in which a small quantity of cone hops is added to finished beer before it is shipped). Ruination pours with a clear, dark gold color and an enduring crown of beige-colored foam. Hops dominate the taste, but there is a hint of dry grass and floor-of-the-forest woodsiness to the finish. This ale is imposing, sugary and tart.
Stone’s creations, despite their crisp and breezy qualities, have a moldy rain-forest sourness that persists on the tongue. In a less conformist world, these are tipples of the sort that would be enjoyed in good company with pungent cigars. http://www.stonebrew.com/
‘In the ever continuing quest by Stone Brewing to appeal to the masses….’ No, scratch that. Hmm, let’s try ‘Stone Brewing's new release destined for trendy appeal….’ Nope. Hardly. OK, how about ‘New brew from Stone Brewing likely to be a hit amongst light beer fans….’ Ouch. Way off base. Nowhere even close.
The real lead-in line should of course read ‘Stone Brewing, experts in pushing the limits of the IPA style, brews up another winner.’ And a winner it is. Patterned after the famous Stone Anniversary IPAs, this new brew is born. Weighing in at massive 100+ IBUs (International Bitterness Units) and 7.7% alc/vol, this baby is a screamer!
”And the name? Stone Ruination IPA. So named, the bottle's label states, ‘because of the immediate ruinous effect on your palate….’ “
The nattering above conveys a taste of the potions (and the marketing) cooked up by Stone Brewing of San Marcos. Ruination was the first new year-round release from the brewer after the introduction of its infamous Arrogant Bastard Ale more than four and a half years before. Stone employs an extreme brewing style that uses natural ingredients – barley, hops, water and yeast – to produce quaffs of strong and distinctive character. Initially, Library Alehouse was attracted by the brewer’s promise of “No Additives, No Chemical Preservatives, No Pasteurization No Adjuncts,” but it is the phenomenal taste that makes us proud to include both beverages in our menu of stellar beers and ales.
Not a drink for the faint of palate, Arrogant Bastard won’t be a regular or casual choice even among those for whom the hop flower is mother’s milk. This ale pours with a dark caramel color, an unpresumptuous orange-brown head and modest levels of carbonation. The nose is sugary, with a scent of molasses laced with slightly floral and woody notes that causes the sharp aftertaste to come with an element of surprise. The finish is extended, with a sustained bitter attack that prolongs the experience.
Ruination is intense India Pale informed by an imposing amount of hop bitterness stemming from the application of huge amounts of hops to the brewing and two weeks of dry hopping to the aftermath (dry hopping is a flavor-intensifying technique in which a small quantity of cone hops is added to finished beer before it is shipped). Ruination pours with a clear, dark gold color and an enduring crown of beige-colored foam. Hops dominate the taste, but there is a hint of dry grass and floor-of-the-forest woodsiness to the finish. This ale is imposing, sugary and tart.
Stone’s creations, despite their crisp and breezy qualities, have a moldy rain-forest sourness that persists on the tongue. In a less conformist world, these are tipples of the sort that would be enjoyed in good company with pungent cigars. http://www.stonebrew.com/
Good Eatin': Robins Nest Quality Convenience Market, Venice, California
Shari Robins (former chef at James Beach and Canal Club) has opened a Balducci-esque market on North Venice, offering such Good Life-essentials as Petrossian smoked salmon, local farmers' markets favorite Kenter Canyon Farms produce and Giorgio Baldi’s pasta sauces, cheek-to-jowel with bodega-staples like Goldfish and Kettle chips and where-are-they-when-you-need-'em household items like kitty litter, paper towels and window spray. Robins Nest Quality Convenience Market, 68 North Venice Boulevard (at Pacific), Venice CA, 310-821-7281. http://www.robinsnestmarket.com/
Labels:
cooking,
good eating,
markets,
venice ca
Good Eatin': The news isn't all bad
A new study by a University of Scranton professor, Jon Vinson, has found that coffee is the best natural source of the antioxidants that help protect cells in the body from damage caused by unstable molecules known as free radicals. Among other harms, free radicals may cause cancer.
Along with other good news -- that red wine improves cardiovascular health and life expectancy and wards off the common cold; that dark chocolate helps prevent diabetes and lowers blood pressure; that virgin olive oil is not only good for the heart, but fights cancer, diabetes, asthma and arthritis, and obesity, and that garlic, the staff of life, will cure everything from cardiovascular disease to the plague -- I feel blessed to have spent so many years doing the right thing.
Given what she was told, your mother was doing the best she could when she tried to get you to eat your broccoli, but she might have done better to have poured a little vino on your Cocopops.
For it to turn out that java is superior in the antioxidant department to foods such as carrots, collard greens, wheat germ and kale that we have been made to feel guilty our whole lives for not eating is sweet revenge. It only remains for someone to document the incontrovertable health benefits of Häagen-Dazs coffee & almond crunch....
(originally posted to Impractical Proposals 2005-08-30)
Along with other good news -- that red wine improves cardiovascular health and life expectancy and wards off the common cold; that dark chocolate helps prevent diabetes and lowers blood pressure; that virgin olive oil is not only good for the heart, but fights cancer, diabetes, asthma and arthritis, and obesity, and that garlic, the staff of life, will cure everything from cardiovascular disease to the plague -- I feel blessed to have spent so many years doing the right thing.
Given what she was told, your mother was doing the best she could when she tried to get you to eat your broccoli, but she might have done better to have poured a little vino on your Cocopops.
For it to turn out that java is superior in the antioxidant department to foods such as carrots, collard greens, wheat germ and kale that we have been made to feel guilty our whole lives for not eating is sweet revenge. It only remains for someone to document the incontrovertable health benefits of Häagen-Dazs coffee & almond crunch....
(originally posted to Impractical Proposals 2005-08-30)
Labels:
good eating,
health food,
the good life
Good Eatin': Revere, Massachusetts
It's late. After twelve hours on the road, we're exhausted and famished. Somewhere on Route 1A, a beaten-up stretch of highway that meanders through the North Shore parallel to the real Rte. 1 and the harbor, seeking a signal from the elusive ATT Wireless, we pull into a parking lot on what looks in the dark like landfill at the edge of a marsh in front of a dejected-looking building that might be dedicated to processing fish lips into cat food. We call our hotel for directions, but we've been through so many detours and roundabouts that we can't tell the innkeeper whether we're headed north or south. "We're in the parking lot of something called The Wharf," we say, and that wins us incredible and, as it turns out, fanciful you-can't-get-here-from-there-style directions that include a "right turn down the alley behind the Cathedral."
Satisfied for the moment that we won't be sleeping in the car, our attention immediately reverts back to our stomachs. All the long day, expecting to alight by dinnertime in the land of the shoah dinnah, we have been limiting our intake to light snacks, leaving room for the lobsters and steamers that are to be our reward. Sensing that we're talking to a local, we ask the hotelier for "the best place for lobster" in the Saugus-Revere area. "Yoah theah," comes the reply. "The Whaff is excellent!"
And you know what, it is. A rambling multi-roomed roadhouse that probably started its life 30 years ago selling the day's catch off the back of a wagon, Mt Vernon At The Wharf, as it is officially named, is comfortable, friendly and dim. Since it was so late and a school night, we were the only customers, save a couple of locals watching ESPN in the distant bar.
Too young to afford us a wine recommendation and too inexperienced to provide real service (she had to be sent back for things like napkins and butter), our waitress was nonetheless cheerful and solicitous; before heading home for the night, the proprietor herself stopped by to make sure all was well. Two large, plump lobsters, steamed veggies and baked potato, plus ever-dependable Guinness (better safe than sorry), and we were out the door for less than $35. We passed on the steamers because of the hour, but we'll be headed back. For one thing, we'd like to be in the joint on a Friday or Saturday night. Bet it's really cookin' (Mt Vernon At The Wharf, 543 North Shore Road, Revere, Massachusetts, 617-289-0885).
Satisfied for the moment that we won't be sleeping in the car, our attention immediately reverts back to our stomachs. All the long day, expecting to alight by dinnertime in the land of the shoah dinnah, we have been limiting our intake to light snacks, leaving room for the lobsters and steamers that are to be our reward. Sensing that we're talking to a local, we ask the hotelier for "the best place for lobster" in the Saugus-Revere area. "Yoah theah," comes the reply. "The Whaff is excellent!"
And you know what, it is. A rambling multi-roomed roadhouse that probably started its life 30 years ago selling the day's catch off the back of a wagon, Mt Vernon At The Wharf, as it is officially named, is comfortable, friendly and dim. Since it was so late and a school night, we were the only customers, save a couple of locals watching ESPN in the distant bar.
Too young to afford us a wine recommendation and too inexperienced to provide real service (she had to be sent back for things like napkins and butter), our waitress was nonetheless cheerful and solicitous; before heading home for the night, the proprietor herself stopped by to make sure all was well. Two large, plump lobsters, steamed veggies and baked potato, plus ever-dependable Guinness (better safe than sorry), and we were out the door for less than $35. We passed on the steamers because of the hour, but we'll be headed back. For one thing, we'd like to be in the joint on a Friday or Saturday night. Bet it's really cookin' (Mt Vernon At The Wharf, 543 North Shore Road, Revere, Massachusetts, 617-289-0885).
Labels:
dining,
good eating,
massachusetts,
north shore,
revere beach
Good Eatin': Addison, Texas
If you're in Dallas anyway, for some of the best oysters, shrimp, crabs and catfish anywhere, it's worth making the trek north to Addison and a visit to Little Dix Flying Fish. Although the decor may be as calculated as Olive Garden's (or as the "Mediterranean"-style Village on the Parkway mall where it's located), Flying Fish achieves a nice roadhouse feel, not the least because of the great country blues mix blaring from speakers indoors and out. The hot wings and burgers look great, but it's for fish and shellfish that this place deserves its rep. Get the fried oysters in a salad, in a basket with fries and hushpuppies, on a platter with shrimp and/or catfish, or in a poor boy. The shrimp are incredible: hot, spicy and so fresh you'd swear they're still wiggling. And the seafood gumbo makes you forget you're in the middle of suburbia, not on some back road near Bogalusa. Order plenty of beer or risk third degree burns.
Little Dix Flying Fish, 5100 Beltline Ave, Addison, Texas; 972-851-3474 (a small chain, Flying Fish is in a few other choice locales, such as Little Rock and Memphis).
Little Dix Flying Fish, 5100 Beltline Ave, Addison, Texas; 972-851-3474 (a small chain, Flying Fish is in a few other choice locales, such as Little Rock and Memphis).
Labels:
dallas-fort worth,
dining,
good eating,
Texas,
travel
Outdoors: Mojave National Preserve
Densely populated southern California is fortunate to have two of the world's great deserts in its backyard. The National Park Service provides an introduction to the Mojave Desert, the deceptively sparse area that falls between the Great Basin and Sonoran deserts. "The Preserve encompasses 1.6 million acres of mountains, jumble rocks, desert washes, and dry lakes." Sections include desert ecology, plants and animals, geology, history and culture, plus a glossary, maps, recreation tips, learning opportunities, and management issues. <http://www.nps.gov/moja>
Labels:
california,
deserts,
mojave,
national parks,
travel
"Mother of Mercy, is this the end of Vino?" *
From the monthly newsletter of Library Alehouse, 2911 Main Street, Santa Monica:
Once, the term “big house” conjured ghosts of Paul Muni, Paul Newman and Clint Eastwood scheming to shed their prison grays. For those longest in their cups, the term might bring up memories of Chester Morris, pardoned for saving the guards in the great 1930 prison flicker, “The Big House.”
Now, at the Alehouse at least, “Big House” means just one thing: Ca' del Solo California Big House Red, a dense, richly erubescent vino from Bonny-Doon, the somewhat pixilated vintner from Santa Cruz. Ca' del Solo is what Bonny-Doon calls Italian-style wines; Big House is a blend faintly remindful of Gallo’s Hearty Burgundy, celebrated in less cosmopolitan days as the vessel on which many Americans traveled to vineland.
There is no escape from this Big House, a thick, fragrant, rustic libation that envelops the palate like honey. Despite its heft, this is a beverage with balance and grace, an elephant poised on one leg, gorgeous crimson in color, redolent of esoteric spices and ripe sugarplums, hints of rosemary and black raspberries persisting from its Piedmontese heritage.
Bonny-Doon Vineyard, with its insistance that “wine should be as much fun as government regulations allow,” is a pleasure to visit on line, with delightful visuals and cheerful prose, and such assets as wine clubs, 30-second Python-meets-South Park promos, and relentless advocacy on behalf of bottles with screw tops.
Befitting a winery that believes that “we should champion the strange, esoteric, ugly-duckling grape varieties of the world,” the current online-special is a naughty Framboisified Syrah Port called "Bouteille Call."
* With apologies to James Cagney.
Once, the term “big house” conjured ghosts of Paul Muni, Paul Newman and Clint Eastwood scheming to shed their prison grays. For those longest in their cups, the term might bring up memories of Chester Morris, pardoned for saving the guards in the great 1930 prison flicker, “The Big House.”
Now, at the Alehouse at least, “Big House” means just one thing: Ca' del Solo California Big House Red, a dense, richly erubescent vino from Bonny-Doon, the somewhat pixilated vintner from Santa Cruz. Ca' del Solo is what Bonny-Doon calls Italian-style wines; Big House is a blend faintly remindful of Gallo’s Hearty Burgundy, celebrated in less cosmopolitan days as the vessel on which many Americans traveled to vineland.
There is no escape from this Big House, a thick, fragrant, rustic libation that envelops the palate like honey. Despite its heft, this is a beverage with balance and grace, an elephant poised on one leg, gorgeous crimson in color, redolent of esoteric spices and ripe sugarplums, hints of rosemary and black raspberries persisting from its Piedmontese heritage.
Bonny-Doon Vineyard, with its insistance that “wine should be as much fun as government regulations allow,” is a pleasure to visit on line, with delightful visuals and cheerful prose, and such assets as wine clubs, 30-second Python-meets-South Park promos, and relentless advocacy on behalf of bottles with screw tops.
Befitting a winery that believes that “we should champion the strange, esoteric, ugly-duckling grape varieties of the world,” the current online-special is a naughty Framboisified Syrah Port called "Bouteille Call."
* With apologies to James Cagney.
Facilities: Baggage, Indeed
One of the truly pleasurable SoCal travel experiences is flying in to and out of Long Beach Airport. With it's WPA-ish terminal -- actually, it predates the New Deal by a decade -- and lack of such refinements as miles-long passageways and cramped loading funnels, boarding and deplaning are swift and enjoyable.
On foggy nights, climbing up the back stairs to steerage on JetBlue's red-eye to New York or Florida, you feel like Louie and Rick on the tarmac in Casablanca.
So it's dismaying to learn from a report in the Times that "[b]usiness leaders, led by the Long Beach Area Chamber of Commerce and JetBlue, want a modernized airport terminal of up to 133,000 square feet that offers more amenities." <"Airport Has Baggage," The Los Angeles Times>
This is about money, natch. The business leaders in question argue that the city has failed to take advantage of business opportunities, such as concessions -- not enough that there is a restaurant, a fast-food outlet, a gourmet coffee kiosk, and a gift shop -- and is thus missing out on tax revenue. They also are trying to make an argument for the project out of the fact that fewer than 1% of the facility's 3 million annual passengers stayed overnight last year, though its hard to see why more flights would make anyone look with greater favor on the prospect of hanging around Long Beach.
According to the Times' Nancy Wride, foes of a proposed expansion of the "cozy" terminal worry it will lead to pressure to lift the city's limit on flights, currently maxed out at 41 (compared to the OC's 130 and LAX's 900), and lead to violations of legal noise limits. It's not hard to sympathize with people who hope their neighborhood won't turn into Inglewood.
Proponents of the project want to increase the capacity of the Art Deco facility by adding an annex of up to 133,000 square feet. According to Wride, the existing building, which provides about 58,000 square feet of passenger area including 23,750 square feet of temporary wooden space that resembles a ferry terminal, is a historic landmark, which means even its color can't be changed without the approval of several commissions. And architectural review boards and landmark commissions almost never say yes to anything.
Facing a city council that seems disinclined to support the full extent of the Chamber/JetBlue proposal, the developers are threatening a referendum, an end run around representative government that will not only cut elected officials out of the process but also eliminate the unpleasantness of an environmental review to determine how much the project will degrade the quality of life in Long Beach and vicinity by adding to the noise, traffic congestion, and dirty air.
Even though it is off the beaten track for most Los Angeles and Orange Country travelers, the airport has boosted JetBlue by providing cheap and easy parking, short lines, painless baggage handling, and quick boarding and deplaning. Will people from Beverly Hills and Irvine continue to make the trek to Long Beach to get the same endless corridors, parking sharking and other niceties already much closer to hand at LAX and John Wayne? Compare your recent two-a-half hour ordeal in Southwest's LAX abattoir with the comfort of being dropped at the door in Long Beach.
If you ask me, Long Beach would be better off leaving the airport more or less as is. Some revenue could be generated by improving the ground floor amenities -- the gift shop and fast food outlets -- and by inviting a world-class restauranteur to turn the beautifully situated, three-tiered eatery on the second level into a regional dining destination. With its excellent view of one of the busiest fields in the country for private aircraft and its almost unlimited parking, the Long Beach Airport restaurant would be hard to beat for a romantic evening out.
If you like the airport in Long Beach the way it is, you should let city officials and JetBlue know. Not only would keeping the airport intact benefit residents and travelers, but JetBlue may find that unintended consequences -- like increased competition: the city will be hard-pressed to keep other airlines out of an expanded airport -- and the loss of frequent fliers like me, who may not see low fares alone as sufficient to justify the long haul to what in New York would be one of the outer boroughs, for no other reason than to save a couple of bucks on a plane ticket -- aren't worth the trouble. (originally posted to Impractical Proposals, 2005-06-06).
On foggy nights, climbing up the back stairs to steerage on JetBlue's red-eye to New York or Florida, you feel like Louie and Rick on the tarmac in Casablanca.
So it's dismaying to learn from a report in the Times that "[b]usiness leaders, led by the Long Beach Area Chamber of Commerce and JetBlue, want a modernized airport terminal of up to 133,000 square feet that offers more amenities." <"Airport Has Baggage," The Los Angeles Times>
This is about money, natch. The business leaders in question argue that the city has failed to take advantage of business opportunities, such as concessions -- not enough that there is a restaurant, a fast-food outlet, a gourmet coffee kiosk, and a gift shop -- and is thus missing out on tax revenue. They also are trying to make an argument for the project out of the fact that fewer than 1% of the facility's 3 million annual passengers stayed overnight last year, though its hard to see why more flights would make anyone look with greater favor on the prospect of hanging around Long Beach.
According to the Times' Nancy Wride, foes of a proposed expansion of the "cozy" terminal worry it will lead to pressure to lift the city's limit on flights, currently maxed out at 41 (compared to the OC's 130 and LAX's 900), and lead to violations of legal noise limits. It's not hard to sympathize with people who hope their neighborhood won't turn into Inglewood.
Proponents of the project want to increase the capacity of the Art Deco facility by adding an annex of up to 133,000 square feet. According to Wride, the existing building, which provides about 58,000 square feet of passenger area including 23,750 square feet of temporary wooden space that resembles a ferry terminal, is a historic landmark, which means even its color can't be changed without the approval of several commissions. And architectural review boards and landmark commissions almost never say yes to anything.
Facing a city council that seems disinclined to support the full extent of the Chamber/JetBlue proposal, the developers are threatening a referendum, an end run around representative government that will not only cut elected officials out of the process but also eliminate the unpleasantness of an environmental review to determine how much the project will degrade the quality of life in Long Beach and vicinity by adding to the noise, traffic congestion, and dirty air.
Even though it is off the beaten track for most Los Angeles and Orange Country travelers, the airport has boosted JetBlue by providing cheap and easy parking, short lines, painless baggage handling, and quick boarding and deplaning. Will people from Beverly Hills and Irvine continue to make the trek to Long Beach to get the same endless corridors, parking sharking and other niceties already much closer to hand at LAX and John Wayne? Compare your recent two-a-half hour ordeal in Southwest's LAX abattoir with the comfort of being dropped at the door in Long Beach.
If you ask me, Long Beach would be better off leaving the airport more or less as is. Some revenue could be generated by improving the ground floor amenities -- the gift shop and fast food outlets -- and by inviting a world-class restauranteur to turn the beautifully situated, three-tiered eatery on the second level into a regional dining destination. With its excellent view of one of the busiest fields in the country for private aircraft and its almost unlimited parking, the Long Beach Airport restaurant would be hard to beat for a romantic evening out.
If you like the airport in Long Beach the way it is, you should let city officials and JetBlue know. Not only would keeping the airport intact benefit residents and travelers, but JetBlue may find that unintended consequences -- like increased competition: the city will be hard-pressed to keep other airlines out of an expanded airport -- and the loss of frequent fliers like me, who may not see low fares alone as sufficient to justify the long haul to what in New York would be one of the outer boroughs, for no other reason than to save a couple of bucks on a plane ticket -- aren't worth the trouble. (originally posted to Impractical Proposals, 2005-06-06).
Labels:
air travel,
planning
The Santa Monica Mountains: Catch a free ride to paradise
...the National Park Service (NPS) [has] a public shuttle service called parkLink: alternative transit designed to connect visitors to beaches, parks and trailheads through the Santa Monica Mountains National Recreation Area (SMMNRA).
Eco-conscious NPS is moving forward with the vision in order to improve air quality, protect the environment and reduce vehicle impact. "We want to bring more people into the parks while limiting the number of cars driving through the canyons," says Jean Bray, Public Affairs Officer with SMMNRA.
On weekends and holidays, park for FREE at an NPS site along the route and catch one of the shuttles departing every 30 minutes. With nine stops on the agenda, consider lunching in chic Malibu, surfing at Zuma or picnicking with the peacocks at Peter Strauss Ranch. The clean-diesel shuttles have space for all your gear: trip bike racks, storage for coolers and surfboards, wheelchair lifts and room for 20.
The multi-agency partnership, which includes NPS, California State Parks, Santa Monica Mountains conservancy and LA County Beaches and Harbors has high hopes for the parkLink project. "Together we can contribute to the greening of American by using the shuttle," effuses Bray. You'll also spare yourself the repetitive motion of hitting the brake pedal all the way down PCH."
Visit <NPS shuttle> for scheduled stops and complete info on how to use parkLink.
Eco-conscious NPS is moving forward with the vision in order to improve air quality, protect the environment and reduce vehicle impact. "We want to bring more people into the parks while limiting the number of cars driving through the canyons," says Jean Bray, Public Affairs Officer with SMMNRA.
On weekends and holidays, park for FREE at an NPS site along the route and catch one of the shuttles departing every 30 minutes. With nine stops on the agenda, consider lunching in chic Malibu, surfing at Zuma or picnicking with the peacocks at Peter Strauss Ranch. The clean-diesel shuttles have space for all your gear: trip bike racks, storage for coolers and surfboards, wheelchair lifts and room for 20.
The multi-agency partnership, which includes NPS, California State Parks, Santa Monica Mountains conservancy and LA County Beaches and Harbors has high hopes for the parkLink project. "Together we can contribute to the greening of American by using the shuttle," effuses Bray. You'll also spare yourself the repetitive motion of hitting the brake pedal all the way down PCH."
Visit <NPS shuttle> for scheduled stops and complete info on how to use parkLink.
Labels:
bicycles,
bikes,
national parks,
outdoors
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